This is a common warning in certain circles that jointly caring for a canine companion post-separation is ill-advised. Most will argue such arrangements hinder former couples from healing, create logistical nightmares, spark arguments, and prove frustrating for everyone involved. Apparently, as a development fit for a direct-to-platform film, it also makes the dogs themselves to become depressed.
Not to downplay the emotional well-being of animals – pet parents speak of their profound sensitivity. For a masterclass in dog sorrow, simply recall another performance. There is little doubt that a dog of Merv's nature, a scruffy terrier type played by Gus the Dog, would find it difficult coping with divided living arrangements. Whether this premise a full holiday film on such a setup is sustainable seems a questionable prospect.A Familiar Formula
To its credit, Merv, the work of its screenwriters and under the guidance of playwright Jessica Swale, doesn't pretend to be more profound than a light film. This is a holiday release from a major tech-and-media conglomerate – the depth are modest. Its storyline unfolds as straightforward: a separated couple Russ, played by Charlie Cox and Anna, portrayed by Zooey Deschanel, forced to acknowledge that their own sadness is surpassed by their dog's, embark on a uplifting getaway to a dog-friendly resort. There, inevitably, they will surely stumble toward the idea that they are better together. Side characters – featuring Chris Redd, Jasmine Mathews, and others – fulfill roles the usual assortment of types. The film's look is reminiscent of a streaming service original, with a holiday backdrop that is obviously artificial – as seen in flurries clinging to lush pines as a summer location substitutes for a cold December city.
The Canine Charisma
Whether these familiar elements coalesce into an entertaining watch depends on the strength of the performances and the viewer's appetite for easy entertainment. Regarding the second aspect, Merv targets a specific viewer – individuals who browse regularly for pet content. Audiences receive a plethora of canine-centric sequences. The primary selling point is the dog, and though it results in some clunky cuts between the pet's "lines" and the actors' responses, the movie succeeds in showing walking sequences, pet moping, and, ultimately, a tail-wagging resolution.
Where It Wobbles
This level of success cannot be applied for the romantic plot. Its style wavers between serious study, zany antics, standard rom-com beats, and physical comedy, not quite landing a consistent feel. No blame falls on the actor playing Russ, who is willing to embrace the silliness and cringe required by the unusual premise. He brings a endearing lack of ego that supplies the bulk of the chemistry for this ostensibly perfect couple. Anna's portrayer, in her typical fashion, brings a distinctive offbeat energy that will either resonate with viewers. Her Anna seems a touch too detached, particularly when alongside Cox's heartfelt sincerity. (On another note, the canine performer is convincing at looking despondent – not quite Messi from that acclaimed drama, he's definitely a scene-stealer.)
The story strives to give weight to the central romance for scenes without their pet – a bit of a pity, since the title character is undoubtedly the most adorable aspect of this feel-good picture. As one might predict, it just about gets by. The catalyst for the split would feel more adult and realistic with more screen time and more subtle storytelling. Ultimately, Merv is light and sugary, hitting every expected note. Making a film on this shared-custody premise has potential – even if I wouldn't call it a great one either.
- Merv streams on the Amazon platform this December.
